Mr. Brainwash achieved worldwide recognition through Banksy’s Oscar nominated film, Exit Through The Gift Shop. But the man who refuses to accept that he has a “career” – instead explaining that he’s always been an artist and that “art” is something inside of you – has been an active member of the art community for what seems like forever.
There isn’t much Luke Edward Hall isn’t good at, from fashion design to fanzines, styling to photography, this go-getter has dabbled in it all. His actuality reflects his love of all things creative, from his graduate collection at Central Saint Martins, designing for Patrick Wolf and Fox and Flyte, a shop of “curious objects for the home and person.”
Kitsch! Tacky! Vulgar! No, this is not the exclamation I made when entering my old spinster aunt’s house in the countryside, it is the definition of the current art market.
Data terminology is part of our everyday lexicon. With data-related issues seemingly omnipresent in our lives, it’s important that we understand what these data-related terms mean in order for us to make sense of our enmeshed physical-digital landscape.
Technology is a part of our lives, and we seem to take it for granted. But do we, really? Looking at the different stages and revolutions of technology in relation to art and design practice as well as the products and services affecting the way practitioners work, think and live, this article explores the idea of generational identity through technology.
With most of the tools and media we interact with on a day-to-day basis relying heavily on images, are words taking a backstage? Is 21st century communication mainly visual and if so, is this an issue for society at large?
Personal recording devices are everywhere. Do you carry a smartphone, a tablet and a camera with you wherever you go?